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American stone band

The Doobie Brothers
The Doobie Brothers in 1974 (L–R): Knudsen, Porter, Simmons, Johnston (front), Hartman

The Doobie Brothers in 1974 (50–R): Knudsen, Porter, Simmons, Johnston (front end), Hartman
Background information
Also known as The Doobies
Origin San Jose, California, U.S.
Genres
  • Rock
  • soft stone[one]
  • pop[2]
  • blue-eyed soul[three]
Years active
  • 1970 (1970)–1982 (1982)
  • 1987 (1987)–present
Labels
  • Warner Bros.
  • Capitol
  • Arista
  • Sony
Associated acts
  • Southern Pacific
  • Steely Dan
Website doobiebros.com
Members
  • Tom Johnston
  • Patrick Simmons
  • Michael McDonald
  • John McFee
Past members See List of the Doobie Brothers ring members

The Doobie Brothers are an American rock band from San Jose, California, known for their flexibility in performing beyond numerous genres and their song harmonies. Agile for five decades, with their greatest success in the 1970s, the group'due south current lineup consists of founding members Tom Johnston (guitars, vocals) and Patrick Simmons (guitars, vocals), alongside Michael McDonald (keyboards, vocals) and John McFee (guitars, pedal steel, violin, backing vocals), and touring musicians including John Cowan (bass, vocals), Bill Payne (keyboards), Marc Russo (saxophones), Ed Toth (drums), and Marc Quiñones (percussion). Other long-serving members of the band include guitarist Jeff "Skunk" Baxter (1974–1979), bassist Tiran Porter (1972–1980, 1987–1992) and drummers John Hartman (1970–1979, 1987–1992), Michael Hossack (1971–1973, 1987–2012), and Keith Knudsen (1973–1982, 1993–2005).

Johnston provided the lead vocals for the band from 1970 to 1975, when they featured a mainstream rock audio with elements of folk, country and R&B. Michael McDonald joined the band in 1975 equally a keyboard player and 2d atomic number 82 vocalist, to give some relief to Johnston, who was suffering wellness problems at the time. McDonald'south interest in soul music introduced a new sound to the band. Johnston and McDonald performed together every bit co-atomic number 82 vocalists for one anthology, Takin' It to the Streets, before Johnston retired fully in 1977. Frequent lineup changes followed through the rest of the 1970s, and the band broke up in 1982 with Simmons being the simply abiding fellow member having appeared on all of their albums. In 1987, the Doobie Brothers reformed with Johnston back in the fold; McDonald, who had previously made several guest appearances since their reformation, returned to the band full-time in 2019 for their 50th anniversary tour.

The group'due south fourteen studio albums include six summit-ten appearances on the Billboard 200 album chart, including 1978's Minute by Infinitesimal, which reached number one for 5 weeks, and won the ring a Grammy for Best Pop Song Performance by a Duo or Group, while the unmarried "What A Fool Believes" from the album won three Grammys itself. The band has released six alive albums, and numerous greatest hits compilations, including 1976's Best of The Doobies, which was certified diamond by the RIAA for reaching album sales of ten one thousand thousand copies, the band'due south best selling album. The band'due south 16 Billboard Hot 100 height-40 hits include "Listen to the Music", "Jesus is Simply Alright", "Long Train Runnin'", "Communist china Grove", "Black Water" (#1 in 1974), "Takin' It to the Streets", "What A Fool Believes" (#one in 1979), and "The Dr.", all of which remain in heavy rotation on classic rock radio.

The Doobie Brothers were inducted into the Song Group Hall of Fame in 2004,[4] and the Rock and Scroll Hall of Fame on Nov 7, 2020.[5] The group has sold more than than 40 million albums worldwide.[6] [seven]

Career [edit]

Original incarnation [edit]

Drummer John Hartman arrived in California determined to meet Skip Spence of Moby Grape and join an aborted Grape reunion. Spence introduced Hartman to singer, guitarist, and songwriter Tom Johnston and the two proceeded to form the nucleus of what would become the Doobie Brothers. Johnston and Hartman called their fledgling group "Pud" and experimented with lineups (occasionally including Spence) and styles every bit they performed in and around San Jose. They were mostly a power trio (along with bassist Greg White potato) only briefly worked with a horn section.

In 1970, they teamed upward with vocalizer, guitarist, and songwriter Patrick Simmons and bassist Dave Shogren. Simmons had belonged to several expanse groups (among them "Scratch", an audio-visual trio with future Doobies bassist Tiran Porter) and also performed as a solo artist. He was already an accomplished fingerstyle role player whose arroyo to the instrument complemented Johnston's rhythmic R&B strumming.

While still playing locally around San Jose, the group adopted the name "Doobie Brothers".[viii] [ix] Their friend Keith "Dyno" Rosen,[10] [xi] who lived with[8] or side by side-door[nine] to the band, came upward with the name afterwards the ring had difficulty coming up with one on their own.[eight] According to Tom Johnston, Rosen said, "Why don't you lot call yourself the Doobie Brothers considering you're always smoking pot?"[8] Hartman has said he wasn't involved with choosing the name, and didn't know that "doobie" meant a marijuana joint until Rosen told him.[eleven] Anybody in the band agreed that "Doobie Brothers" was a "dumb" or "stupid" name.[8] [ix] Simmons has said the band intended to use the proper name only for a few early performances until they came up with something better, merely they never did.[12]

The Doobie Brothers improved their playing by performing live all over Northern California in 1970. They attracted a specially strong post-obit among local chapters of the Hells Angels and got a recurring gig at 1 of the bikers' favorite venues, the Chateau Liberté[thirteen] in the Santa Cruz mountains, playing at that place through the summertime of 1970 (although some of these concerts did not include all ring members and were of an impromptu nature). A set up of demos, which showcased fuzz-toned dual lead electric guitars, 3-part harmonies and Hartman'southward drumming, caught the ear of Warner Brothers' staff A & R representative Ted Templeman, and somewhen earned the group a contract at Warner Bros. Records earlier the year was out.

The band'southward image originally reflected that of their biggest fans—leather jackets and motorcycles. Released in Apr 1971, their self-titled debut anthology departed significantly from that image and their live sound of the period. Produced at Pacific Recorders in San Mateo, the album, which failed to chart, emphasized audio-visual guitars and reflected country influences. The leadoff vocal "Nobody", the band'south get-go single, has surfaced in their live gear up several times over the ensuing decades. Most recently, this song was re-recorded and added to their 2010 album World Gone Crazy.

In the late spring/summer of 1971, their tape label sent the Doobies out on their outset national tour in tandem with the grouping Mother Earth, the "Mother Brothers Bout". As well in 1971, the group toyed with the idea of adding a second drummer, supplementing Hartman's drumming on some of their shows with that of United States Navy veteran Michael Hossack while still touring backside their first anthology.

Moving to Warner Brothers' newly acquired Amigo Studios in Due north Hollywood starting in late Oct 1971, the band recorded several songs for their next album with Shogren on bass, guitar, and background vocals, but Shogren left after disagreements with the group's producer, Ted Templeman. Shogren was replaced in December 1971 with singer, songwriter and bass guitarist Tiran Porter, while Hossack was added to the lineup at the aforementioned time as a regular. Porter and Hossack were both stalwarts of the Northern California music scene, Porter having previously played in Scratch with Simmons. Porter brought a funkier bass way and added his husky baritone to the voices of Johnston and Simmons, resulting in a rich 3-part alloy.

The band's second album, Toulouse Street (which contained the hits "Heed to the Music" and "Jesus Is Only Alright"), brought their breakthrough success later on its release in July 1972. In collaboration with managing director Bruce Cohn, producer Ted Templeman and engineer Donn Landee, the band put frontward a more polished and eclectic set of songs. Pianist Beak Payne of Trivial Feat contributed keyboards for the first fourth dimension, beginning a decades-long collaboration that included many recording sessions and even a 2-calendar week stint touring with the band in early 1974.[14]

A string of hits followed, including Johnston's "Long Train Runnin'" and "Mainland china Grove", from the 1973 album The Captain and Me. Other noteworthy songs on the anthology were Simmons' country-ish ode "S City Midnight Lady" and the explosive, hard rocking raveup "Without You", for which the unabridged band received songwriting credit. Onstage, the latter vocal sometimes stretched into a 15-minute jam with additional lyrics completely advertisement-libbed by Johnston. A 1973 appearance on the debut episode of the television receiver music variety show Don Kirshner'due south Rock Concert featured one such performance of the tune.

In the midst of recording sessions for their next album, 1974's What Were In one case Vices Are At present Habits, and rehearsals for a 1973 fall bout, Hossack abruptly departed the band, citing burnout from abiding touring. Drummer, songwriter and vocalist Keith Knudsen (who previously drummed for Lee Michaels of "Do You Know What I Hateful" fame) was recruited promptly in September 1973 and left with the Doobies on a major tour a few weeks later (Hossack afterwards replaced Knudsen in the band Bonaroo, which served every bit an opening act for the Doobies shortly thereafter). Both Hossack's drums and Knudsen's voice are heard on Vices.

Doobie Bros in the Dutch TV show TopPop (January 1974). L-R: Simmons, Porter, Knudsen, Johnston

In 1974, Steely Dan co-lead guitarist Jeff "Skunk" Baxter learned that his ring was retiring from the road and that Donald Fagen and Walter Becker intended to work almost exclusively with session players in the future. In demand of a steady gig, he joined the Doobie Brothers as third lead guitarist in the middle of their current tour. He had previously worked with the band in the studio, adding pedal steel guitar to both Helm ("Southward City Midnight Lady") and Vices ("Black Water", "Tell Me What You Want") and was already playing with the band as a special guest during that year's tour.

Vices included the band's first No. one unmarried, Simmons' signature tune "Black H2o". It topped the charts in March 1975 and somewhen propelled the anthology to multi-platinum status. Johnston's lyrical "Some other Park, Another Sunday" (equally a unmarried, it featured "Blackness Water" as the B-side) and his horn-driven funk song "Eyes of Silver" also charted the year before at numbers 32 & 52, respectively.

During this period and for several subsequent tours, the Doobies were often supported on stage by Stax Records legends The Memphis Horns. Live recordings with the horn section have aired on radio on the Rex Biscuit Flower Hour, but none have been officially released. The Memphis Horns likewise appeared equally session players on multiple Doobies albums.

Past the finish of 1974, Johnston'southward health was suffering from the rigors of the road. He was absent-minded when the band joined The Beach Boys, Chicago, and Olivia Newton-John on Dick Clark'due south New year'south Rockin' Eve that Dec. By then, the western-themed Stampede had been completed for release in 1975. It featured yet some other hit single, Johnston's encompass of the Holland–Dozier–Holland-written Motown hit "Take Me in Your Arms" (originally sung past Kim Weston and also covered by the Isley Brothers, Blood Sweat and Tears and Female parent Earth). Simmons contributed the atmospheric "I Cheat the Hangman", besides as "Neal's Fandango", an ode to Santa Cruz, Jack Kerouac and Neal Cassady. Ry Cooder added his slide guitar to Johnston's cowboy song, "Rainy Day Crossroad Blues".

Past the start of the Leap 1975 promotional tour for Stampede, Johnston's status was and so precarious that he required emergency hospitalization for a bleeding ulcer. With Johnston convalescing and the bout already underway, Baxter proposed recruiting a fellow Steely Dan alum to fill the pigsty: singer, songwriter and keyboardist Michael McDonald. Simmons, Knudsen, Porter and McDonald divvied upward and sang Johnston'south parts on tour while Simmons and Baxter shared lead guitar chores.[15] [xvi]

Michael McDonald years [edit]

Under contract to release another anthology in 1976, the Doobies were at a crossroads. Their chief songwriter and singer remained unavailable, so they turned to McDonald and Porter for material to supplement that of Simmons. The resulting LP, Takin' Information technology to the Streets, debuted a radical change in their sound. Their electric guitar-based rock and roll gave way to a more than soft rock and blue-eyed soul sound, emphasizing keyboards and horns and subtler, more than syncopated rhythms. Baxter contributed jazz-inflected guitar stylings reminiscent of Steely Dan, along with unusual, complex harmony and longer, more adult melody. To a higher place all, McDonald's voice became the band'south new signature audio. Takin' Information technology to the Streets featured McDonald's title track and "It Keeps You Runnin'", both hits. (A second version of "It Keeps You Runnin'", performed by Carly Simon, appeared on her album Some other Passenger, with the Doobies backing her.) Bassist Porter wrote and sang "For Someone Special" as a tribute to the absent Johnston. A greatest hits compilation, Best of the Doobies, followed before year's end. (In 1996, the Recording Industry Association of America certified All-time of the Doobies "Diamond" for sales in excess of ten one thousand thousand units.)

Their new sound was further refined and McDonald's ascendant function cemented with 1977's Livin' on the Fault Line. It featured a comprehend of the Motown classic "Little Darling (I Demand You)" and "Echoes of Dear", which had been written by Willie Mitchell for, but non recorded by, Al Green. Mitchell (so of the Memphis Horns) and Earl Randle had both worked with Light-green a skilful flake. Simmons added some music and lyrics, co-writing the finished version with Mitchell and Randle; the vocal was afterward covered not just by the Arrow Sisters only by Lyn Paul, the ex-New Seekers vocalist. The album also featured the vocal "Y'all Vest to Me" (co-written past McDonald and Carly Simon, who had a hit with her own version of the tune). To help promote Fault Line, the band performed live on the PBS show Soundstage. Baxter used an early on type of guitar synthesizer (made by Roland) on many of the tracks (especially the championship track and "Prc Grove"). The combination of McDonald's cerebral approach to harmony, funkier beats and R&B song season, along with Baxter's guitar pyrotechnics, pushed the band away from the more proletarian biker-bell-boogie style that fabricated them popular originally. The use of complex jazz chords, built on McDonald's thoroughly composed keyboard parts and tempered past stiff pop hooks, resulted in an album that, though not actually jazz, had a distinctly urban contemporary finish, adding the season of the "cool jazz" era to a pop setting.[ citation needed ]

The Doobie Brothers in 1976: Dorsum row 50-R: Baxter, Hartman, Johnston, Knudsen, Simmons. Front row L-R: Porter, McDonald

Both Streets and Fault Line reflected Johnston'due south diminished role in the group following his illness. Restored to fitness and briefly back in the fold, he contributed one original song to Streets ("Turn It Loose"), and as well sang a verse on Simmons' tune "Wheels of Fortune". He also made live appearances with the band in 1976 (documented in a concert filmed that year at the Winterland in San Francisco, excerpts of which appear occasionally on VH1 Archetype), merely was sidelined in one case over again that autumn due to exhaustion. None of Johnston'southward songs appeared on Fault Line, though he had written and the band had recorded v of his compositions for the anthology. Regardless, he received credit for guitars and vocals and was pictured on the album's inner sleeve band photo. He shortly left the ring he co-founded, embarking on a solo career that eventually yielded 1 modestly successful 1979 Warner Brothers album, Everything You've Heard is True, which featured the unmarried "Savannah Nights", and the less successful album All the same Feels Good in 1981.

During this period of transition, the band also elevated quondam roadie Bobby LaKind to onstage backup singer and percussionist. In the studio, LaKind first contributed percussion to Streets but had been a member of the band'due south lighting crew since 1974. Additionally, in early on 1978, the ring appeared as themselves in two episodes of the ABC sitcom What's Happening!!,[17] performing "Piffling Darlin' (I Need You)", "Black H2o", "Takin' Information technology to the Streets", and "Take Me in Your Arms".

After near a decade on the road, and with seven albums under their belts, the Doobies' career soared with the success of their next anthology, 1978'southward Minute past Minute. It spent 5 weeks atop the charts and dominated several radio formats for the better office of ii years. McDonald's song "What a Fool Believes", written with Kenny Loggins, was the ring's 2d No. 1 unmarried and earned the songwriting duo (along with producer Ted Templeman) a Grammy Honour for Record of the Twelvemonth.[xviii] The album won a Grammy for Pop Vocal Performance by a Grouping and was nominated for Album of the Year.[18] [xix] Both "What a Fool Believes" and the championship rail were nominated for Song of the Year, with "What a Fool Believes" winning the award. Among the other memorable songs on the album are "Hither to Honey You", "Dependin' On Yous" (co-written by McDonald and Simmons), "Steamer Lane Breakdown" (a Simmons bluegrass instrumental) and McDonald'due south "How Do the Fools Survive?" (co-written by Carole Bayer Sager). Nicolette Larson and departed former bandleader Johnston contributed guest vocals on the album.

Minute by Infinitesimal's triumph was bittersweet because information technology coincided with the most-dissolution of the band. The pressure level of touring while recording and releasing an album each year had worn the members downwardly. Baxter and McDonald had been in creative conflict for some fourth dimension. McDonald desired a directly, soulful and polished rock/R&B sound, while Baxter insisted on embellishing guitar parts in an increasingly avant-garde manner. (Both McDonald and Baxter elaborated on the matter in the documentary series Behind the Music, which aired on VH1 in February 2001.) Just as Minute by Infinitesimal's success became apparent, Hartman, Baxter, and LaKind left the band. A ii-song attack the Jan 27, 1979, broadcast of Sat Nighttime Live (with guest host Michael Palin) marked the final television receiver appearance of this lineup, and a brief bout of Japan marked the band'due south last live performances in its center-period configuration (Hartman subsequently joined Johnston'southward touring ring in 1979 and taped an appearance with him that aired on Soundstage in 1980).

With the surprise smash album embedded in the charts and more coin to be earned on the road, the remaining Doobies (Simmons, Knudsen, McDonald and Porter) decided to forge ahead. In 1979, Hartman was replaced by session drummer Chet McCracken and Baxter by multi-instrumental string player John McFee (belatedly of Huey Lewis's early on band Clover); Cornelius Bumpus (who had been office of a contempo reunion of Moby Grape) was also recruited to add vocals, keyboards, saxophones, and flute to the lineup. This lineup toured throughout 1979, including stops at Madison Square Garden and New York City's Battery Park for the No Nukes benefit shows with like-minded artists such as Bonnie Raitt, Crosby, Stills & Nash, James Taylor, Carly Simon, Jackson Browne, Bruce Springsteen and John Hall.

1980 marked LaKind's return to the lineup as a full-time fellow member and the Doobies' 9th studio album, Ane Step Closer. The LP featured the striking championship rails and the Top 10 hit "Existent Honey" (not to be confused with the John Lennon composition) but did not boss the charts and the radio equally Minute by Minute had, largely due to an oversaturation of the "McDonald sound" past many other artists (such as Robbie Dupree's hit "Steal Away", which copied the "McDonald audio" nearly note for note) on the radio at the fourth dimension—not to mention McDonald's numerous guest vocal appearances on hits by other artists, such as Kenny Loggins, Christopher Cross, Lauren Forest and Nicolette Larson. The anthology itself was likewise noticeably weaker musically than the previous iii with the band sounding tired and seemingly devolving to little more than McDonald's "backup band" (according to contemporary sources). "Ted and Michael became one faction against Pat and the rest of united states", Porter said in an interview.[twenty] Long frustrated with the realities of relentless touring and yearning for a stable habitation life, also as battling an admitted cocaine trouble, Porter left the band after the recording of Closer. Session bassist Willie Weeks joined the band and the Doobies connected touring throughout 1980 and 1981 (mail-Doobies, Weeks has performed with the Gregg Allman Band, Eric Clapton, and many others).[ citation needed ]

Backstage at the Greek Theater in Berkeley, California in 1982. This would be the bye concert for the band's original run, and featured a 1-off return of founding vocalist Tom Johnston (far right).

Past the end of 1981, even Simmons had left the band. Now faced with the prospect of calling themselves The Doobie Brothers with no remaining original members and a "leader" in McDonald who was ready for a solo career, the group elected instead to disband after a rehearsal without Simmons, co-ordinate to an interview with McDonald for Listen to the Music, the Doobie Brothers' official video history/documentary released in 1989. He went on to say that past that point they could not have gotten further away from the Doobies sound if they had tried. Simmons, already at piece of work on his first solo anthology, Arcade, rejoined for a 1982 farewell tour on the status that this truly would be the end of the Doobie Brothers. At their terminal concert at the Greek Theatre in Berkeley, California on September eleven, 1982, they were joined onstage by founding fellow member Tom Johnston for what was presumed to be the final rendition of his staple, "Red china Grove". Former members Porter, Hossack and Hartman subsequently took the phase for an extended version of "Listen to the Music". Knudsen sang pb vocals while Johnston, Simmons and McFee traded licks on guitar. The live album Farewell Tour was released in 1983 and the Greek Theatre concert was released in 2011 as Live at the Greek Theatre 1982.

Reunion [edit]

The Doobies did not work together for the adjacent v years, though various members got together in different configurations for annual Christmas season performances for the patients and staff at the Stanford Children'due south Hospital in the Bay area. Simmons released a commercially disappointing solo album, Arcade, in 1983. During the mid-1980s, Johnston toured U.Southward. clubs with a ring called Border Patrol, which did not release whatsoever recordings. Hossack and (briefly) Simmons worked with the group. Around 1986, Johnston and Simmons began working on an album together (co-ordinate to a 1989 interview with Simmons), but abased the projection presently after with no known finished tracks. In 1983, Knudsen and McFee formed the band Southern Pacific and recorded four albums that establish success in the country charts (former Creedence Clearwater Revival bassist Stu Cook joined the ring in 1986 and one-time Pablo Cruise guitarist David Jenkins in 1988). Out of print for many years, Simmons' Arcade was reissued on compact disc in 2007 by specialty label Wounded Bird Records, which is likewise the home of Southern Pacific'due south and Tom Johnston's catalogs. Post-Doobies, McDonald became established equally a bearded solo artist. His voice dominated adult contemporary radio throughout the 1980s. He experienced a renaissance of popularity in the 21st century as an interpreter of Motown classics.

The reformation of the Doobie Brothers was not intentional. On a personal quest for a worthy cause and afterwards conquering his drug addiction, Knudsen became active in the Vietnam Veterans Aid Foundation. In early on 1987, he persuaded xi Doobie alumni to join him for a concert to benefit veterans' causes. Answering the call were Tom Johnston, Pat Simmons, Jeff Baxter, John McFee, John Hartman, Michael Hossack, Chet McCracken, Michael McDonald, Cornelius Bumpus, Bobby LaKind and Tiran Porter, plus their long-time record producer and practiced friend, Ted Templeman. In that location were no surplus bass players as Weeks had other commitments. They soon discovered that tickets were in great demand, and then the concert apace evolved into a 12-city bout that began on May 21, 1987, in San Diego. The 3rd concert, held at the Hollywood Bowl, was reportedly the venue'southward fastest sell-out since the Beatles had played there merely over 20 years earlier. The band performed selections from every album using a broad variety of instrumentation that they could non take previously duplicated onstage without the expanded lineup. Baxter and McFee played pedal steel and violin, respectively, during "Black Water" and "Steamer Lane Breakdown". "Without You" featured iv drummers and 4 lead guitarists. Producer Ted Templeman played percussion and LaKind sometimes played Knudsen'due south drum set while Knudsen went to the front of the stage to bring together the chorus. Templeman also played the drum attack "What a Fool Believes", every bit he did on the original striking record. The tour culminated (sans McDonald, McFee and Knudsen) at the Glasnost-inspired July 4 "Peace Concert" in Moscow, with Bonnie Raitt, James Taylor and Santana sharing the bill. Excerpts appearing afterward that year on the Get-go cablevision network included a performance of "China Grove".

The successful 1987 reunion sparked discussions nigh reconstituting the ring on a permanent basis. They eventually decided to replicate the Toulouse Street/Helm and Me incarnation, settling on a lineup featuring Johnston, Simmons, Hartman, Porter and Hossack, plus more recent addition LaKind, and released Cycles on Capitol Records in 1989. The anthology featured a Acme 10 single, "The Medico". The song is very similar to "China Grove", and the connection was further enhanced past invitee Pecker Payne's tinkling piano. Other material on the anthology included Johnston's "South of the Border", Dale Ockerman's and Pat Simmons' "Have Me to the Highway", and "I Can Read Your Mind", a version of the Isley Brothers' "Demand a Piddling Sense of taste of Dear", and a version of The Four Tops classic, "One Chain (Don't Make No Prison)", which had been covered by Santana years before. Cycles proved a successful improvement album and was certified Gold. Bumpus participated in the 1989 and 1990 tours, adding his distinctive vocalisation, keyboards, saxophone and flute. His presence bridged the gap between the current ring and the McDonald era; he sang pb vocals on "1 Step Closer" (as he originally had on the 1980 album) while Simmons took McDonald'southward part. The group was further augmented on the 1989 tour by Dale Ockerman (keyboards, guitar, backing vocals), Richard Bryant (percussion, vocals) and Jimi Fox (percussion, backing vocals). After existence diagnosed with terminal colon cancer, LaKind stepped down earlier the tour to focus on his wellness.

The 1990s [edit]

The success of Cycles led to the release of 1991'south Brotherhood, also on Capitol. The group members grew their hair back out, wore denim and leather, and attempted to revive their biker image of the early 1970s. In spite of the makeover and potent material led by Simmons' now trademark "Dangerous" (featured in the Brian Bosworth biker film Stone Cold), Brotherhood was unsuccessful, in office due to a lack of support from Capitol Records.

The accompanying tour (with the 1989 lineup sans Bumpus), which also featured Joe Walsh on the bill, was ranked amongst the x least profitable tours of the disappointing 1991 summer season past the North American Concert Promoters Clan.[21]

The 1987 Doobie Brothers alumni band reunited on Oct 17 and 19, 1992, at the Concord Pavilion in Concur, California to perform benefit shows for LaKind's children. LaKind, terminally ill with colon cancer, joined the group on percussion for a few numbers. The concerts were recorded and subsequently broadcast on the Superstars in Concert radio series accompanied past a plea for contributions to the LaKind family fund.[ commendation needed ] LaKind died on Dec 24, 1992 at the historic period of 47.

A brief hiatus followed during which Simmons collaborated with bassist and songwriter John Cowan (ex-New Grass Revival), Rusty Young (of Poco) and Beak Lloyd (of Foster & Lloyd) on an unreleased project called 4 Wheel Drive. When the band emerged yet once again in 1993, Hartman and Porter retired from the road for skillful but Knudsen and McFee rejoined the Doobie Brothers on a full-time basis afterwards Southern Pacific disbanded. Joined by Ockerman, Bumpus, and Weeks, the group toured with Four Wheel Drive equally the opening act. Later on Weeks left the tour to resume his session piece of work, Cowan played bass for both bands. Bumpus also left to join the reunited Steely Dan, giving mode to saxophonist, keyboardist, and harmonica player Danny Hull. Old band member Chet McCracken temporarily filled in for an injured Hossack in July 1993. Their 1994 tour included co-headlining appearances with Foreigner.

With renewed energy in the mid-1990s, the band began to experiment with different arrangements of several tunes. They even pulled from McDonald's songbook from fourth dimension to time, somewhen restoring "Takin' it to the Streets" to the setlist with Simmons and new bass guitarist Skylark (who joined in 1995) substituting for McDonald on lead vocals.

Return to permanent touring [edit]

The band has toured continuously since 1993. In 1995, they reunited with McDonald for a co-headlining tour with the Steve Miller Band. The "Dreams Come True" tour featured all iii primary songwriters and singers and reflected all phases of the band's career. Bumpus rejoined for the 1995 tour, with McCracken replacing the absent Knudsen and Bernie Chiaravalle sitting in for McFee. A 1996 double alive album, Rockin' Downward the Highway: The Wildlife Concert, featured McDonald on iii of his signature tunes. McDonald remains an occasional special invitee to this solar day and has joined the group for benefits, private corporate shows, and parties (such equally the wedding reception of Liza Minnelli and David Gest).

On January 28, 1996 they performed during the Super Basin Xxx pre-game show at Lord's day Devil Stadium in Tempe, Arizona.[22] In mid-1996, Ockerman was replaced by keyboardist Guy Allison (ex-Moody Blues and Air Supply). Saxophonist Marc Russo (ex-Yellowjackets) joined in early 1998, replacing Hull.

In the belatedly 1990s, the band obtained an injunction preventing disruptive or misleading uses of "The Doobie Brothers" moniker in advertisements promoting a tribute band featuring former members McCracken, Bumpus and Shogren.

The 2000s [edit]

In 1999, Rhino Records released the group's first box set, Long Train Runnin': 1970–2000, which featured remastered tunes from the band's entire catalog, a new studio recording of the live concert staple "Little Bitty Pretty I", and an unabridged disc of previously unreleased studio outtakes and live recordings. Rhino's release the following twelvemonth, Sibling Rivalry, was the ring'southward offset new studio album since 1991. The material reflected contributions from both Knudsen and McFee, ranging from rock to hip-hop, jazz, developed contemporary, and country. The anthology sold poorly, reflecting the declining sales throughout the adult-oriented rock musical scene.

On June 22, 2001, while heading to a show at Caesars Tahoe in Lake Tahoe, Hossack suffered multiple fractures in a motorbike accident on Highway 88 and had to be airlifted to a Sacramento-area hospital, where he underwent surgery. Drummer and percussionist K. B. Gordy was recruited to fill in for Hossack. Later on existence sidelined for months, Hossack returned to the band in mid-2002. Gordy remained with the band as an auxiliary percussionist until 2005.

On October 26, 2004, the Doobie Brothers released Live at Wolf Trap, a live album that was recorded at Wolf Trap National Park for the Performing Arts in Vienna, Virginia on July 25 of that twelvemonth. The album features the final recordings of drummer and vocalizer Keith Knudsen, who died in February 2005.[23]

The 2010s [edit]

For its 2010 and 2012 summer tours, the band was once once more paired with Chicago, as it was in 1974, 1999 and 2008.

In March 2010 longtime bass guitarist/vocalizer Skylark resigned from the band after suffering a serious stroke. John Cowan, who had originally toured with the band in the early on 1990s, returned to take Skylark'southward place, and has been with the band e'er since. Three months afterwards, earlier the ring embarked on its 2010 summertime tour with Chicago, Hossack was forced to sit out following a diagnosis of cancer. Tony Pia, a member of the Brian Setzer Orchestra, was recruited to substitute for Hossack. Pia became an official touring member of the ring post-obit Hossack'southward death in 2012.

On September 28, 2010 the Doobie Brothers released their 13th studio album, Earth Gone Crazy, produced past their longtime producer Ted Templeman. World Gone Crazy was the kickoff Doobie Brothers album Templeman produced since 1980s One Step Closer. The album'south first unmarried, "Nobody", was complimentary-streamed on their website.[24]

By March 2012, five members of the Doobie Brothers family were deceased: percussionist/vocalist LaKind on December 24, 1992, of colon cancer;[25] original bass guitarist / vocalist Shogren of unreported causes on December 14, 1999;[26] saxophonist, keyboardist, vocalist, and flutist Bumpus of a heart attack on Feb 3, 2004 while in the air en route to California for a solo tour;[27] drummer, vocaliser, and activist Keith Knudsen on February 8, 2005 of cancer and chronic pneumonia;[28] and drummer Michael Hossack of cancer on March 12, 2012.[29]

On November xiii, 2012 the Doobie Brothers released an official documentary, Let the Music Play: The Story of The Doobie Brothers. It features interviews and rare footage from their early days of the 1970s to the present twenty-four hour period. Johnston, Simmons, McDonald, McFee, Porter, and Baxter, forth with director Bruce Cohn, producer Ted Templeman, and members of the Johnston and Simmons families are interviewed in the motion-picture show.

In March 2014 the Doobie Brothers, in conjunction with Sony Music Nashville, announced that their 14th studio album would be released featuring the greatest hits of their xl+-yr career. The album would characteristic atomic number 82 and backing vocals from several land artists, and Michael McDonald returned to collaborate on the album. Featured artists included Sara Evans, Vince Gill, Hunter Hayes, Casey James, Toby Keith, Love and Theft, Jerrod Niemann, Brad Paisley, Blake Shelton, Tyler Farr, Chris Young, Charlie Worsham, and the Zac Chocolate-brown Band.

The album, entitled Southbound, was released on November 4, 2014. The post-obit day, the Doobie Brothers and Michael McDonald were featured musical guests on the 47th Annual CMA Awards to celebrate its release, and were joined by Hunter Hayes, Jennifer Nettles, and Hillary Scott in a operation of "Listen to the Music". At the cease of the ceremony, in addition to Hayes, Nettles, and Scott, they were joined by co-host Brad Paisley for "Takin' It to the Streets".

The Doobie Brothers performed at Music City Roots on May thirteen, 2015, sharing the stage with Béla Fleck and Dan Tyminski. This was the band's second performance at the venue, after an all-audio-visual performance in 2011. The acoustic portion of the 2015 show featured songs that had not been heard past audiences in years, including the bluesy Chicago from their debut anthology and the title runway from Toulouse Street.

In early August 2015, keyboardist/backing vocalizer Guy Allison was called to wing out to Nihon to work on an album project. Petty Feat co-founder and pianist Bill Payne, known for his contributions to many of the band'south early studio albums, was selected to temporarily fill up in for Allison in his absenteeism. Allison briefly returned to the band afterwards their September 5 prove at Susquehanna Bank Middle in Camden, New Jersey.

On Baronial 20, 2015 the Doobie Brothers and Michael McDonald were the featured musical guests on The Tonight Bear witness Starring Jimmy Fallon, where they performed a medley of "Long Railroad train Runnin'" and "Takin' It to the Streets". The band besides performed a web-exclusive performance of "What a Fool Believes" that was fabricated available on The Tonight Show's website.

On the afternoon of September xi, 2015, the Doobie Brothers performed at the Lockn' Festival in Arrington, Virginia, sharing the stage with the jam band String Cheese Incident. The Doobies and so flew to Cherokee, N Carolina for an evening concert. In Oct 2015, Payne officially took over Guy Allison's duties every bit the Doobies' keyboardist, whilst remaining an active member of Little Feat. On Nov 24, 2015, the Doobie Brothers together with Journeying launched a tour featuring Dave Mason. The bout started on May 12, 2016, at the Irvine Meadows Amphitheatre and ended on September 4, 2016, when the Doobies and Journey joined the Steve Miller Band and Santana at AT&T Park. They appeared at Warren Haynes Christmas Jam on December 12, 2015, however Johnston did non appear at the show due to articulatio genus surgery. They officially officially announced that Payne would replace Allison on December 1, 2015.

In March 2016 the Doobie Brothers signed under new management with Irving Azoff.[30] Drummer Tony Pia left the band in the summertime of 2016, leaving Ed Toth as the band's sole drummer.

In January 2017 the Doobie Brothers appear that Chicago would once once again join them for their Summer 2017 tour. The tour began on June seven at the Concur Pavilion and wrapped up on July thirty in Virginia Embankment. They appeared with the Eagles and Steely Dan at the Archetype concerts for 2 weekends in July 2017. These concerts took place on July 15 at Dodger Stadium billed as the Classic W and July 29 Citi Field as the Archetype East. The success of these concerts led an appearance at the Classic Northwest concert on September 30 held at Safeco Field, opening once more for the Eagles. The band took the last leg of their 2017 world bout to Europe in tardily October and early November, opening for Steely Dan.

During 2018, they announced that they would tour again with Steely Dan. This tour began in Charlotte, North Carolina and concluded in Bethel, New York in July. Former Allman Brothers percussionist Marc Quiñones joined the band in May 2018[31] and on July 16, 2018, the band announced that they would perform the Toulouse Street and The Captain and Me albums in their entirety along with a selection select of hits, at the Beacon Theatre in New York Metropolis on November 15 and 16, 2018. These shows marked the first time the band performed at the theatre in 25 years.[32] The concerts were recorded and afterward released as a alive album on June 28, 2019.[33]

During the summer of 2019, the band toured with Santana. On November eighteen, 2019, the band performed at the Ryman Auditorium in Nashville and performed the Toulouse Street and The Captain and Me albums in their entirety once again. Michael McDonald joined the ring for an encore and they performed "Takin' It to the Streets". At the end of the concert, Simmons fabricated the announcement that McDonald would re-bring together the band and participate in the band's 50th Anniversary bout .[34]

Since the early on 2000s, they have headlined and performed at many do good concerts including former manager Cohn's B.R. Cohn Winery in Glen Ellen where they had also shared the stage with McDonald in 2006 and 2012. Cohn sold his winery in 2015 to set his master focus on managing the band and the B.R Cohn Charity Fall Music Festival was relocated to the Sonoma Valley Field of Dreams. The festival was renamed the Sonoma Music Festival. The Doobie Brothers and McDonald, Chicago and Ringo Starr headlined the iii-day event.

The 2020s [edit]

On January 15, 2020, information technology was appear that the Doobie Brothers were one of the six groups that would be inducted into the 2020 Rock and Gyre Hall of Fame. The consecration included living members Tom Johnston, Patrick Simmons, Michael McDonald, John McFee, Tiran Porter, John Hartman and Jeff Baxter, while drummer & singer Keith Knudsen and drummer Michael Hossack would be inducted posthumously. The induction ceremony was originally scheduled to take place on May 2, 2020 in Cleveland, but was postponed to November 7 due to the COVID-nineteen pandemic.[35] The Nov 7 induction ceremony was held virtually on HBO Max, with Johnston, McDonald, and Simmons pre-recording their induction speeches on behalf of the other band members who were inducted alongside them.

In Feb 2020, the Doobie Brothers had a scheduled residency at the Venetian in Las Vegas. The band was only three shows into their 8-twenty-four hours residency when they were forced to cancel the remaining v dates after it was mentioned that there was an illness in the band. It was later on discovered that Johnston had an early version of COVID-xix, the virus that would end upwardly becoming designated equally a pandemic just one month later.[36]

On May 26, 2020, the Doobie Brothers officially announced that they had rescheduled their 50th Anniversary tour to 2021 as a result of the COVID-19 pandemic[37] and confirmed that the line up of this tour would include McDonald for the get-go time in 25 years.

During their fourth dimension in isolation throughout 2020, the Doobie Brothers released at-home performances of "Black H2o", "Listen to the Music", and "Takin' it to the Streets". These performances can exist found on their social media accounts, such as YouTube and Facebook. In addition, they collaborated with Dave Mason for a cover of Traffic's "Feelin' Alright" and Peter Frampton for a cover of Eric Clapton'south "Let information technology Pelting".

On August half dozen, 2021, the Doobie Brothers released the EP of four songs that would eventually be featured on their fifteenth studio album. These songs included Johnston's "Don't Ya Mess With Me" and "Oh Mexico" along with Simmons'southward "Better Days" and "Cannonball".

After merely over 18 months of not beingness able to tour due to the COVID-19 pandemic, the band (with McDonald back in the fold) finally began their 50th Ceremony Bout at the Iowa State Fair on Dominicus, August 22, 2021. The get-go leg of the tour will conclude at the PPL Eye in Allentown, Pennsylvania on Oct 29, 2021 and the second leg volition begin in West Palm Beach, Florida on June 2, 2022.

The Doobie Brothers were featured musical guests on Jimmy Kimmel Live! on Thursday, September 23, 2021.

On October 1, 2021, the band released Liberté, their fifteenth full-length studio anthology and kickoff album of original material in 11 years.[38] All of the tracks on the album were co-written with John Shanks. Shanks is known for his piece of work with Bon Jovi, Sheryl Crow, and Melissa Etheridge, to proper name a few.

Members [edit]

Current official members

  • Patrick Simmons – guitar, banjo, flute, vocals (1970–82, 1987–91, 1992, 1993–present)
  • Tom Johnston – vocals, guitar, harmonica (1970–77, 1987–91, 1992, 1993–present)
  • Michael McDonald – vocals, keyboards, mandolin, accordion (1975–82, 1987, 1992, 1995–96, 2019–present)
  • John McFee – guitar, violin, pedal steel guitar, harmonica, vocals (1979–82, 1987, 1993–present)

Current touring members

  • John Cowan – bass, lead and backing vocals (1993–95, 2010–present)
  • Marc Russo – saxophones (1998–present)
  • Ed Toth – drums, percussion (2005–present)
  • Nib Payne – keyboards, backing vocals (2015–nowadays), session fellow member (1971-1975, 1978, 1989, 2010-2015)
  • Marc Quiñones – percussion, backing vocals (2018–present)

Discography [edit]

  • The Doobie Brothers (1971)
  • Toulouse Street (1972)
  • The Captain and Me (1973)
  • What Were One time Vices Are Now Habits (1974)
  • Stampede (1975)
  • Takin' Information technology to the Streets (1976)
  • Livin' on the Fault Line (1977)
  • Infinitesimal past Minute (1978)
  • One Pace Closer (1980)
  • Cycles (1989)
  • Brotherhood (1991)
  • Sibling Rivalry (2000)
  • World Gone Crazy (2010)
  • Southbound (2014)[39]
  • Liberté (2021)[38]

Encounter also [edit]

  • Eikichi Yazawa, Japanese stone musician who has hired nigh of the Doobie Brothers equally his redundancy band

References [edit]

  1. ^ Hall, Mitchell K. (May ix, 2014). The Emergence of Rock and Roll: Music and the Rise of American Youth Culture. Routledge. p. 169. ISBN978-1-135-05358-1.
  2. ^ Erlewine, Stephen Thomas. The Doobie Brothers at AllMusic. Retrieved October 28, 2016.
  3. ^ Brackett, Nathan; Christian David Hoard (2004). The New Rolling Rock Album Guide . Simon and Schuster. p. 254. ISBN978-0-7432-0169-eight.
  4. ^ "The Vocal Grouping Hall of Fame Foundation". Retrieved April 26, 2011.
  5. ^ Johnson, Kevin (March 24, 2020). "Rock and Roll Hall of Fame induction for the Doobie Brothers, Whitney Houston, Nine Inch Nails moves from May to November". St. Louis Mail-Dispatch . Retrieved April 27, 2020.
  6. ^ "The Doobie Brothers To Make 1000 Ole Opry Debut Saturday, February 26". Opry.com. February eighteen, 2011. Archived from the original on October 13, 2011. Retrieved Nov v, 2011.
  7. ^ "RIAA". RIAA. Archived from the original on July 1, 2007. Retrieved July xx, 2011.
  8. ^ a b c d e Doar, Spencer (April iv, 2013). "Q&A with a Doobie Brother". Minnesota Daily . Retrieved March xxx, 2018.
  9. ^ a b c Tatangelo, Wade (February 25, 2015). "Doobie Brothers bring whiff of nostalgia to Winterfest: interview". Sarasota Herald-Tribune . Retrieved March thirty, 2018.
  10. ^ Metzer, Greg (2008). Rock Ring Proper name Origins: The Stories of 240 Groups and Performers. Jefferson, Due north.C.: McFarland & Co. p. 69. ISBN9780786438181.
  11. ^ a b Hochman, Steve (1999). Popular Musicians. Pasadena, California: Salem Printing. p. 332. ISBN9780893569860.
  12. ^ Piorkowski, Jeff (March 27, 2013). "Through xl years, Doobie Blood brother Patrick Simmons has remained a constant". Cleveland Sun . Retrieved March thirty, 2018.
  13. ^ Johnson, Eric (July–Baronial 2017). "Summertime of Lovin'" (PDF). Los Gatos Magazine . Retrieved June ane, 2021. Chateau Liberté...Six miles from downtown Los Gatos... showroom at New Museum Los Gatos
    "Interview with W.J. McKay on the making of the Chateau Liberté documentary". Quaci Mag. Archived from the original on June 1, 2021. Retrieved June 1, 2021. The large rustic lodge that would come to exist known a century afterwards as the Chateau Liberté was first built in 1865. Several cabins were added to the belongings and for the next xl years it would serve as the stagecoach stop between Santa Cruz and San Jose, California. In the early 1900s, it would be known by many names, as a bordello, a speakeasy during Prohibition and resorts. It was chosen The Anchorage from about 1899 to 1919. It was a fine French eatery in the 1920s called the Chateau Boussy, and it was besides known as the Redwood Chateau, Chateau Regis and then finally the Chateau Liberté'.
    Singh, Gary (July 28, 2010). "Rock & roll memories linger at Chateau LIberté in the Santa Cruz Mountains". Silicon Alleys. Metro Newspapers. Retrieved June 1, 2021. The Doobie Brothers began in 1970, releasing their cocky-titled debut the following twelvemonth. The encompass of that album showed the band hanging out at Chateau Liberté, a now-legendary biker bar in the Santa Cruz Mountains, where the Doobies got their start. This year, the band releases a new album with a new track, "Back to the Chateau," dedicated to the venue, which existed until the mid-'70s. ... Many bands played at the Chateau, including the earliest version of the Tubes and several offshoots of the Grateful Dead and the Jefferson Airplane. Skip Spence of Moby Grape, who had really introduced the Doobie Brothers to each other, occasionally stayed in a van just outside the chateau. Hot Tuna recorded its alive album, First Pull Upward, Then Pull Downwards, at Chateau Liberté. In Jeff Tamarkin's book Got a Revolution, Jorma Kaukonen described the identify: "Information technology was a shit-kicking log cabin bar, an old stage terminate in 1800s. It had very depression ceilings and was down a muddy road. The audio was horrendous. We played there a lot and wanted to do this album there." Previously, in the tardily 19th century, the building was a stop on the sometime Wells Fargo stagecoach line from San Jose to Santa Cruz. From 1920 to 1945 it was Chateau Boussy, a French restaurant and luxury hideaway for loftier-society types and politicians who needed a spot to bring their mistresses.
    Wiley, Neil. "Exploring Mountain Roads". Mount Network News. Santa Cruz Canton. Retrieved June 1, 2021. Chateau Liberté, known in its afterward years every bit a biker bar, until it airtight in 1975. I recall leaving my beer on the counter and slinking away on my little Honda 175 when the Hells Angels came to visit. I remember hearing the Doobie Brothers, Sons of Champlin, and Cold Claret featuring Lydia Pence.
    Hill, Diane (2012). "Doobie Brothers: Permit the Music Play: The Story of the Doobie Brothers BluRay - Music News & Reviews". Music Street Journal . Retrieved June 1, 2021. The Doobie Brothers got their start at the Chateau Liberté in Santa Cruz but they beginning met at the Gaslighter Theatre in Campbell California
    Graff, Amy (September 12, 2019). "Doobie Brothers frontman Tom Johnston explains how '70s Bay Area vibes have inverse". SFGATE . Retrieved June 1, 2021. Q:You also played at the famous Chateau Liberté in the Santa Cruz mountains. A: Infamous. It was an extension of the Summer of Beloved moved to the mountains. At that place were hippies, Hells Angels, higher students, mountain people, musicians. The best mode to describe information technology is it could take only happened and so. It would never happen now.
  14. ^ Jackson, Blair. "Little Feat Article - February 2001" – MixOnline.com.
  15. ^ Menn, Don. "GP Flashback : The Doobie Brothers, June 1976" – Guitar Player Magazine.
  16. ^ Blackett, Matt. "The Doobie Brothers" – Guitar Player Magazine.
  17. ^ Sally Wade (writer); Mark Warren (director) (January 28, 1978). "Doobie or Not Doobie (Parts 1)". What'south Happening!!. Season 2. Episode 16. ABC.
    Emerge Wade (writer); Mark Warren (director) (February 4, 1978). "Doobie or Not Doobie (Parts 2)". What's Happening!!. Flavour 2. Episode 17. ABC.
  18. ^ a b "Grammy Awards 1980". AwardsandShows.com . Retrieved February 16, 2012.
  19. ^ "Minute by Minute GRAMMY Awards". AllMusic. Retrieved February xvi, 2012.
  20. ^ "Hide Doobie Brother Guitarist Recalls Santa Cruz Days". Santa Cruz Weekly. Archived from the original on Jan ane, 2014. Retrieved May 23, 2012.
  21. ^ Cited in Billboard Magazine, December 14, 1989
  22. ^ "Arizona Super Bowls 1996, 2008 and 2015". AZcentral.com . Retrieved Jan 23, 2022.
  23. ^ "Doobie Brothers Drummer Dies". Cbsnews.com . Retrieved May half dozen, 2021.
  24. ^ "The Official Website". Doobie Brothers. Retrieved July 20, 2011.
  25. ^ "1992 - 1993". Expressionless Rock Stars Club . Retrieved October 15, 2013.
  26. ^ "1998 - 1999". Dead Stone Stars Club . Retrieved October xv, 2013.
  27. ^ "2004 January To June". Dead Rock Stars Club . Retrieved Oct 15, 2013.
  28. ^ "2005 Jan to June". Dead Stone Stars Club . Retrieved Oct 15, 2013.
  29. ^ "2012 Jan to June". Dead Rock Stars Social club . Retrieved October 15, 2013.
  30. ^ "The Doobie Brothers Sign With Azoff Music Direction". March thirty, 2016. Retrieved September 17, 2016.
  31. ^ "The Doobie Brothers on Twitter". Retrieved July 30, 2018.
  32. ^ "The Doobie Brothers Announce Historic Total-Album Performances at The Beacon Theatre in NYC". Retrieved July 30, 2018.
  33. ^ "Live From the Beacon Theatre". Retrieved November 21, 2019.
  34. ^ Kruh, Nancy (November 19, 2019). "Doobie Brothers Surprise Sold-Out Crowd with Michael McDonald and a Reunion Tour Announcement". People . Retrieved November 21, 2019.
  35. ^ "Rock & Curl Hall of Fame'southward induction ceremony is rescheduled for Nov". Retrieved Apr 27, 2020.
  36. ^ "Michael McDonald thankful for 'one more than shot' to tour with Doobie Brothers for 50th anniversary". United states Today. August 20, 2021. Retrieved Oct 12, 2021.
  37. ^ "Doobie Brothers Tour Postponed Due to COVID-nineteen". Rolling Stone. May 26, 2020. Retrieved October 12, 2020.
  38. ^ a b Shaffer, Claire (August 6, 2021). "Doobie Brothers Announce New Anthology 'Liberté,' Rescheduled Tour Dates".
  39. ^ "Gregg Allman 2015 North American Tour Schedule With The Doobie Brothers & Pat Simmons Jr". May 16, 2015. Retrieved May 17, 2015.

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